It’s been an interesting thing this year to get glimpses of autumn as it has made its way to these mountains. The very first sign was a single tree–I kid you not–among the thousands that crowd the Black Mountain range as it runs east to west behind our place. That spot of magnificent gold among the deep, deep greens of late summer held our interest for several days.
Then there came other changes, but subtle. They were most visible in early evening with the sun angled just right; its perfect rays spread across those ridges like a giant hand with long fingers of light stretching wide to reach them. The leaves still shown green, the mountains blanketed in a lush, dense carpet. But now there was something else, an undercolor. It was as if this was a canvas on which the artist laid down a burnt umber ground, the whole of the mountain transitioning in a slow, quiet flow. And it was all taking place below the surface.
Then the reds began to appear. Dotted here and there, their gorgeous color making an unmistakeable pronouncement:
It is time.
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